A chronicle of the power and complexity of the relationship between Corinne and Tiana, two Queer Black womxn who experience cycles of life’s joys and pains together in the home they share.
A chronicle of the power and complexity of the relationship between Corinne and Tiana, two Queer Black womxn who experience cycles of life’s joys and pains together in the home they share.
The Oasis I Deserve
duration: 22 min
country/year: France/2024
director: Inès Sieulle
cinematography: Inès Sieulle
editor: Margaux Serre
production: Pauline Quinonero / Too Many Cowboys
selected festivals and awards: 2025 – London Short Film Festival: Best Short Film
Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.
Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.
selected festivals and awards: 2024 – Visions du Réel, 2024 – IDFA Amsterdam
A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.
A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.
Can You Hear Me?
duration: 15 min
country/year: Poland/2024
director: Anastazja Naumenko
cinematography: Michał Kowalczyk (animacja), Anastazja Naumenko (animacja)
editor: Anastazja Naumenko, Aleksandra Rosset-Żak
production: Maks Piłasiewicz, Piotr Szczepanowicz, Grzegorz Wacławek / Animoon
selected festivals and awards: 2025 – MDAG: World Premiere
Nastia, who has lived abroad for many years, begins to teach her mother how to use Internet services. It becomes the starting point for exposing intergenerational conflicts.
Nastia, who has lived abroad for many years, begins to teach her mother how to use Internet services. Different perceptions of technology become the starting point for exposing intergenerational conflicts and long-forgotten family threads. The complicated navigation of social media reflects a no less difficult path to communicate. While learning, the heroines learn a lot about each other, but will the intimacy regained via Zoom be defining for the further relationship between the two adult women?
Afterwards
duration: 25 min
director: Romane Garant Chartrand
cinematography: Isabelle Stachtchenko
editor: Marie-Pier Dupuis
production: Nathalie Cloutier / National Film Board of Canada
selected festivals and awards: 2024 – Clermont-Ferrand International Short Film Festival
Inside a shelter, participants in a talking circle share their experiences of intimate partner violence as a way to regain their dignity and strength to act.
Inside a shelter, participants in a talking circle share their experiences of intimate partner violence as a way to regain their dignity and strength to act. Powerfully empathetic, “Afterwards” creates a space of sisterhood and solidarity—a chorus of voices breaking down the walls of silence
Homunculus
duration: 18 min
country/year: Germany/2024
director: Bonheur Suprême
cinematography: Bonheur Suprême
editor: Bonheur Suprême
production: Marco Crispano, Andrea Gatopoulos, Andrea Garofalo / Il Varco Cinema, Waterclock
selected festivals and awards: 2024 – Visions du Réel
“Homunculus” displays the wandering of a man in quest for other men. He is seen as an “Arab”, some ambiguous entity both celebrated by white gay males, and hated by French police.
“Homunculus” displays the wandering of a man in quest for other men. He will realize along his travel that people see him as an “Arab”, some ambiguous, virile and powerful entity both celebrated by white gay males, and hated by French police forces.
Hold Me Close
Hold Me Close
dir. Aurora Brachman, LaTajh Simmons-Weaver,
USA
2024,
19 min